Pic taken from @steven_moffat at twitter.
In other news, Sherlock has been nominated for Best Drama at the International Emmy Awards.
Every name has some explanation. So does the name of this blog. It has something to do with floodlit gantries, sparkling champagne, blue overalls and mutinous mice. The rest is up to you. As for me, my sole/soul task will be to try to smell out the meaning of my life in these pages. Which is just another way of saying that this is yet another fruitless exercise.
0. There are no paradoxes.
This is the overarching rule, to which all other rules are subservient. It’s not a statement about physics; it’s simply a statement about logic. In the actual world, true paradoxes — events requiring decidable propositions to be simultaneously true and false — do not occur. Anything that looks like it would be a paradox if it happened indicates either that it won’t happen, or our understanding of the laws of nature is incomplete. Whatever laws of nature the builder of fictional worlds decides to abide by, they must not allow for true paradoxes.
1. A Botched Suicide
You are very depressed. You are suicidally depressed. You have a gun. But you do not quite have the courage to point the gun at yourself and kill yourself in this way. If only someone else would kill you, that would be a good thing. But you can't really ask someone to kill you. That wouldn't be fair. You decide that if you remain this depressed and you find a time machine, you will travel back in time to just about now, and kill your earlier self. That would be good. In that way you even would get rid of the depressing time you will spend between now and when you would get into that time machine. You start to muse about the coherence of this idea, when something amazing happens. Out of nowhere you suddenly see someone coming towards you with a gun pointed at you. In fact he looks very much like you, except that he is bleeding badly from his left eye, and can barely stand up straight. You are at peace. You look straight at him, calmly. He shoots. You feel a searing pain in your left eye. Your mind is in chaos, you stagger around and accidentally enter a strange looking cubicle. You drift off into unconsciousness. After a while, you can not tell how long, you drift back into consciousness and stagger out of the cubicle. You see someone in the distance looking at you calmly and fixedly. You realize that it is your younger self. He looks straight at you. You are in terrible pain. You have to end this, you have to kill him, really kill him once and for all. You shoot him, but your eyesight is so bad that your aim is off. You do not kill him, you merely damage his left eye. He staggers off. You fall to the ground in agony, and decide to study the paradoxes of time travel more seriously.
As with mathematics, so with love. There are no hard and fast rules to be blindly followed, no matter what the self-help gurus may tell you. Sometimes you just need to take a Fourier transform of yourself, shatter the walls and break everything down into the component parts. Once you’ve analyzed the full spectrum, you can rebuild, this time with just the right mix of ingredients that will enable you finally to combine your waveform with that of another person.
If one considers the scarceness of water and of facilities for its evacuation, it is not surprising that washing was rare and bathing rarer. Clean linen long remained an exceptional luxury, even among the middle classes. Better-off buildings enjoyed a single pump or tap in the courtyard. Getting water above the ground floor was rare and costly; in Nevers it became available on upper floors in the 1930s. Those who enjoyed it sooner, as in Paris, fared little better.
Baths especially were reserved for those with enough servants to bring the tub and fill it, then carry away the tub and dirty water. Balzac had referred to the charm of rich young women when they came out of their bath. Manuals of civility suggest that this would take place once a month, and it seems that ladies who actually took the plunge might soak for hours: an 1867 painting by Alfred Stevens shows a plump young blonde in a camisole dreaming in her bathtub, equipped with book, flowers, bracelet, and a jeweled watch in the soap-dish. Symbols of wealth and conspicuous consumption.
In a public lecture course Vacher de Lapouge affirmed that in France most women die without having once taken a bath. The same could be said of men, except for those exposed to military service. No wonder pretty ladies carried posies: everyone smelled and, often, so did they.
Teeth were seldom brushed and often bad. Only a few people in the 1890s used toothpowder, and toothbrushes were rarer than watches. Dentists too were rare: largely an American import, and one of the few such things the French never complained about. Because dentists were few and expensive, one would find lots of caries, with their train of infections and stomach troubles, it is likely that most heroes and heroines of nineteenth-century fiction had bad breath, like their real-life models.
Dark Matters from PHD Comics on Vimeo.